{"id":613,"date":"2019-02-04T15:17:43","date_gmt":"2019-02-04T15:17:43","guid":{"rendered":"https:\/\/vagaluna.it\/?p=613"},"modified":"2024-01-05T15:53:34","modified_gmt":"2024-01-05T15:53:34","slug":"agenda-brasil-turim-2019","status":"publish","type":"post","link":"https:\/\/vagaluna.it\/pt-br\/agenda-brasil-pt-br\/agenda-brasil-turim\/agenda-brasil-turim-2019\/","title":{"rendered":"Agenda Brasil Turim 2019"},"content":{"rendered":"

[et_pb_section fb_built=”1″ custom_padding_last_edited=”on|tablet” admin_label=”Packages” _builder_version=”4.16″ custom_padding=”110px||110px|” custom_padding_tablet=”0px||0px|” custom_padding_phone=”” global_colors_info=”{}”][et_pb_row custom_padding_last_edited=”on|phone” admin_label=”T\u00edtulo dos pacotes” _builder_version=”4.16″ custom_padding=”30px|0px|120px|0px” custom_padding_tablet=”60px||0px|” custom_padding_phone=”” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.19.4″ text_font=”||||” text_text_color=”#1a1a1a” header_font=”Oswald|on||on|” header_text_align=”center” header_font_size=”60px” header_line_height=”1.3em” module_alignment=”center” custom_margin=”|||” custom_padding=”|||” animation_style=”slide” animation_direction=”top” animation_intensity_slide=”10%” locked=”off” global_colors_info=”{}”]<\/p>\n

Agenda Brasil Turim 2019<\/h1>\n

[\/et_pb_text][et_pb_divider color=”#6b0008″ divider_position=”center” divider_weight=”3px” disabled_on=”off|off|off” _builder_version=”4.19.4″ max_width=”150px” module_alignment=”center” height=”false” custom_margin=”30px|||” animation_style=”slide” animation_direction=”top” animation_delay=”100ms” animation_intensity_slide=”10%” locked=”off” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ admin_label=”Package” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/vagaluna.it\/wp-content\/uploads\/2023\/01\/AgendaBR2019-Torino_vertical2-576×1024-1.jpg” title_text=”AgendaBR2019-Torino_vertical2-576×1024″ align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” admin_label=”Package Image” _builder_version=”4.19.5″ animation_style=”fold” animation_direction=”right” animation_intensity_fold=”20%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Description” _builder_version=”4.19.5″ text_font=”Roboto||||” text_font_size=”16px” text_line_height=”1.8em” background_size=”initial” background_position=”top_left” background_repeat=”repeat” animation_style=”zoom” animation_direction=”left” animation_delay=”100ms” animation_intensity_zoom=”10%” global_colors_info=”{}”]<\/p>\n

Agenda Brasil \u2013 Turim retorna ao Cinema Massimo para sua segunda edi\u00e7\u00e3o, com os elementos que caracterizaram o evento desde o in\u00edcio.
O n\u00facleo da programa\u00e7\u00e3o de 2019 ser\u00e1 constitu\u00eddo pelos filmes apresentados na edi\u00e7\u00e3o de julho do Festival de Mil\u00e3o. Em Turim, al\u00e9m da preciosa colabora\u00e7\u00e3o do Museu do Cinema, h\u00e1 a atividade organizativa das associa\u00e7\u00f5es locais, a brasileira Casa Brasil e a \u00edtalo-portuguesa Tuc\u00e1tul\u00e1. Surgem ent\u00e3o outras \u00e1reas do cinema de l\u00edngua portuguesa, a cr\u00edtica alarga-se a um “espa\u00e7o lus\u00f3fono” atrav\u00e9s de dois filmes: o mo\u00e7ambicano Comboio de sal e a\u00e7\u00facar<\/i> e os timorenses A guerra da Beatriz<\/i>, ambientado no per\u00edodo imediatamente posterior \u00e0 independ\u00eancia de Portugal e num contexto tumultuado em que se destaca o papel da mulher.
Entre os filmes brasileiros que continuam a representar aquele pa\u00eds-caleidosc\u00f3pio \u2013 da eterna alma nordestina <\/i> \u00e0 excel\u00eancia musical, do mundo cultural da Amaz\u00f4nia \u00e0s lutas civis e pelo meio ambiente \u2013 destacam-se os pr\u00eamios de p\u00fablico e cr\u00edtica da Agenda Brasil 2019 \u2013 Mil\u00e3o. Respectivamente, Alguma coisa assim<\/i>, com sua contundente an\u00e1lise dos sentimentos da juventude global<\/i>, e a adapta\u00e7\u00e3o cinematogr\u00e1fica de O<\/i> Beijo<\/i> no Asfalto, <\/i>acesso privilegiado ao universo do maior dramaturgo brasileiro, ainda in\u00e9dito na It\u00e1lia, Nelson Rodrigues.
E surge uma homenagem talvez inesperada a George Hilton e ao cinema de “g\u00e9nero” italiano (western, amarelo, thriller) dos anos 60\/70.<\/p>\n

Os filmes est\u00e3o no idioma original com legendas em italiano<\/strong><\/span>, exceto As aventuras do pequeno Colombo<\/em>, ue ser\u00e3o acompanhados por um narrador.<\/p>\n

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Cinema Massimo<\/strong> \u2013 Via Giuseppe Verdi 18
www.cinemamassimotorino.it<\/a>
M\u00e9todo de entrada<\/strong>
Inteira \u20ac 6,00
Reduzido: Aiace, militari, under18 \u20ac4,00
Studenti universitari e Over 60 \u20ac3,00 (spettacoli pomeridiani), \u20ac4,00 (spettacoli serali)
Passe para 10 entradas: 30,00\u20ac<\/p>\n

Veja o trailer do Festival<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Package” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Package Title” _builder_version=”4.19.5″ text_font=”Oswald||||” text_text_color=”#6b0008″ text_font_size=”24px” background_size=”initial” background_position=”top_left” background_repeat=”repeat” animation_style=”zoom” animation_direction=”left” animation_intensity_zoom=”10%” global_colors_info=”{}”]<\/p>\n

PLANO<\/p>\n

sexta-feira, 4 de outubro<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ admin_label=”Package” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/vagaluna.it\/wp-content\/uploads\/2023\/01\/Schermata-2019-06-07-alle-22.13.55.png” title_text=”Schermata-2019-06-07-alle-22.13.55″ align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” admin_label=”Package Image” _builder_version=”4.19.5″ animation_style=”fold” animation_direction=”right” animation_intensity_fold=”20%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Description” _builder_version=”4.19.5″ text_font=”Roboto||||” text_font_size=”16px” text_line_height=”1.8em” background_size=”initial” background_position=”top_left” background_repeat=”repeat” animation_style=”zoom” animation_direction=”left” animation_delay=”100ms” animation_intensity_zoom=”10%” global_colors_info=”{}”]<\/p>\n

h <\/strong>16.00<\/strong> George Hilton: o mundo \u00e9 dos audazes<\/u> (Brasile\/Italia 2019, 106\u2019) regia di Daniel Camargo. Biografia de George Hilton, estrela do cinema italiano dos anos 60 aos anos 80. Hilton deixou sua rica fam\u00edlia no Uruguai, aventurando-se na It\u00e1lia e estrelando westerns, mist\u00e9rios e outros g\u00eaneros do cinema popular.
O diretor est\u00e1 presente.<\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ admin_label=”Package” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/vagaluna.it\/wp-content\/uploads\/2023\/01\/clementina_bassa_2.png” title_text=”clementina_bassa_2″ align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” admin_label=”Package Image” _builder_version=”4.19.5″ animation_style=”fold” animation_direction=”right” animation_intensity_fold=”20%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Description” _builder_version=”4.19.5″ text_font=”Roboto||||” text_font_size=”16px” text_line_height=”1.8em” background_size=”initial” background_position=”top_left” background_repeat=”repeat” animation_style=”zoom” animation_direction=”left” animation_delay=”100ms” animation_intensity_zoom=”10%” global_colors_info=”{}”]<\/p>\n

h 18.30 <\/strong>Clementina<\/u> (Brasil, 2018, 75\u2019) regia di Ana Rieper. Clementina de Jesus se destaca na hist\u00f3ria da m\u00fasica brasileira por sua voz excepcional, letras po\u00e9ticas, os tambores mais eloquentes e repert\u00f3rio religioso de matriz africana. Neto de escravos, com sua can\u00e7\u00e3o mostrava toda alegria, for\u00e7a e drama da condi\u00e7\u00e3o do negro no Brasil. Vencedora do Trof\u00e9u Aruanda de melhor personagem feminina de 2018.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Package” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Package Title” _builder_version=”4.19.5″ text_font=”Oswald||||” text_text_color=”#6b0008″ text_font_size=”24px” background_size=”initial” background_position=”top_left” background_repeat=”repeat” animation_style=”zoom” animation_direction=”left” animation_intensity_zoom=”10%” global_colors_info=”{}”]<\/p>\n

h 19h30 Brinde de inaugura\u00e7\u00e3o<\/p>\n

 <\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ admin_label=”Package” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/vagaluna.it\/wp-content\/uploads\/2023\/01\/Schermata-2019-06-07-alle-16.49.44.png” title_text=”Schermata-2019-06-07-alle-16.49.44″ align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” admin_label=”Package Image” _builder_version=”4.19.5″ animation_style=”fold” animation_direction=”right” animation_intensity_fold=”20%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Description” _builder_version=”4.19.5″ text_font=”Roboto||||” text_font_size=”16px” text_line_height=”1.8em” background_size=”initial” background_position=”top_left” background_repeat=”repeat” animation_style=”zoom” animation_direction=”left” animation_delay=”100ms” animation_intensity_zoom=”10%” global_colors_info=”{}”]<\/p>\n

h 20.30 <\/strong>O beijo no asfalto<\/u> (Brasil, 2018, 98′) dirigido por Murilo Ben\u00edcio, baseado na obra hom\u00f4nima de Nelson Rodrigues. Arandir, um jovem banc\u00e1rio rec\u00e9m-casado, resgata um homem atropelado por um \u00f4nibus. O moribundo expressa seu \u00faltimo desejo: um beijo. Arandir beija o homem, mas o gesto \u00e9 visto pelo sogro Apr\u00edgio e fotografado por um rep\u00f3rter em busca de um furo. O rep\u00f3rter investiga e insta a pol\u00edcia a investigar uma suposta rela\u00e7\u00e3o entre Arandir e o morto. Com Fernanda Montenegro, L\u00e1zaro Ramos, D\u00e9bora Falabella, Augusto Madeira, Ot\u00e1vio M\u00fcller, Luiza Tiso, Amir Hadad, St\u00eanio Garcia, Raquel Fabri, Marcelo Flores e Arlindo Lopes. Agenda Brasil Milano 2019 Pr\u00eamio do J\u00fari e do P\u00fablico.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Package” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Package Title” _builder_version=”4.19.5″ text_font=”Oswald||||” text_text_color=”#6b0008″ text_font_size=”24px” background_size=”initial” background_position=”top_left” background_repeat=”repeat” animation_style=”zoom” animation_direction=”left” animation_intensity_zoom=”10%” global_colors_info=”{}”]<\/p>\n

s\u00e1bado, 5 de outubro<\/p>\n

 <\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ admin_label=”Package” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/vagaluna.it\/wp-content\/uploads\/2023\/01\/As-aventuras-do-pequeno-Colombo_2.png” title_text=”As-aventuras-do-pequeno-Colombo_2″ align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” admin_label=”Package Image” _builder_version=”4.19.5″ animation_style=”fold” animation_direction=”right” animation_intensity_fold=”20%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Description” _builder_version=”4.19.5″ text_font=”Roboto||||” text_font_size=”16px” text_line_height=”1.8em” background_size=”initial” background_position=”top_left” background_repeat=”repeat” animation_style=”zoom” animation_direction=”left” animation_delay=”100ms” animation_intensity_zoom=”10%” global_colors_info=”{}”]<\/p>\n

h 10.30<\/strong> As aventuras do pequeno Colombo <\/u>(Brasil 2015, 88′) dire\u00e7\u00e3o de Rodrigo Gava. Longa-metragem de anima\u00e7\u00e3o ambientado na It\u00e1lia em 1463, onde tr\u00eas crian\u00e7as, Cris, Leo e Lisa descobrem os mist\u00e9rios da popula\u00e7\u00e3o do Atl\u00e2ntico e se deparam com sua fera mais feroz, o tem\u00edvel Nautilus. Esta criatura destr\u00f3i todos os navios europeus que tentam cruzar o Oceano Atl\u00e2ntico. Eles encontrar\u00e3o uma maneira de derrot\u00e1-lo, o que possibilitar\u00e1 a Cris encontrar seu caminho para a Am\u00e9rica no futuro. Esses caras mais tarde ser\u00e3o conhecidos no mundo como Crist\u00f3v\u00e3o Colombo, Leonardo Da Vinci e Monalisa. Filme em l\u00edngua original com narrador em italiano de Cristina Palermo.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ admin_label=”Package” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/vagaluna.it\/wp-content\/uploads\/2023\/01\/Schermata-2019-06-07-alle-21.35.56-1024×614-1.png” title_text=”Schermata-2019-06-07-alle-21.35.56-1024×614″ align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” admin_label=”Package Image” _builder_version=”4.19.5″ animation_style=”fold” animation_direction=”right” animation_intensity_fold=”20%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Description” _builder_version=”4.19.5″ text_font=”Roboto||||” text_font_size=”16px” text_line_height=”1.8em” background_size=”initial” background_position=”top_left” background_repeat=”repeat” animation_style=”zoom” animation_direction=”left” animation_delay=”100ms” animation_intensity_zoom=”10%” global_colors_info=”{}”]<\/p>\n

h 16.00<\/strong> Alguma coisa assim<\/u> (Brasil\/Alemanha, 2017, 80′) dire\u00e7\u00e3o de Esmir Filho e Mariana Bastos. O filme conta a hist\u00f3ria de Caio e Mari, dois jovens cuja rela\u00e7\u00e3o vai al\u00e9m de qualquer defini\u00e7\u00e3o. A trama se estende por um per\u00edodo de 10 anos, em diferentes pontos no tempo em que seus desejos divergem e seu relacionamento \u00e9 tenso. Uma reflex\u00e3o sobre a sexualidade, os r\u00f3tulos e como o tempo marca e transforma os encontros. O filme foi desenvolvido a partir do curta-metragem de mesmo nome, premiado na 45\u00aa Semana da Cr\u00edtica do Festival de Cannes em 2006 e \u00e9 feito com os mesmos atores do curta-metragem. Com Caroline Abras, Andr\u00e9 Antunes, Clemens Schick, Juliane Elting. Pr\u00eamio do P\u00fablico Agenda Brasil Mil\u00e3o 2019.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ admin_label=”Package” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/vagaluna.it\/wp-content\/uploads\/2023\/01\/Schermata-2019-06-07-alle-21.21.12.png” title_text=”Schermata-2019-06-07-alle-21.21.12″ align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” admin_label=”Package Image” _builder_version=”4.19.5″ animation_style=”fold” animation_direction=”right” animation_intensity_fold=”20%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Description” _builder_version=”4.19.5″ text_font=”Roboto||||” text_font_size=”16px” text_line_height=”1.8em” background_size=”initial” background_position=”top_left” background_repeat=”repeat” animation_style=”zoom” animation_direction=”left” animation_delay=”100ms” animation_intensity_zoom=”10%” global_colors_info=”{}”]<\/p>\n

h 18.00<\/strong> Bei\u00e7o de estrada<\/u> (Brasil, 2018, 105′) dire\u00e7\u00e3o de Eli\u00e8zer Rolim. No Nordeste r\u00fastico, \u00e1rido e selvagem do Brasil, Madame Lili \u00e9 dona de um antigo bordel, Bei\u00e7o de Estrada, onde teve suas tr\u00eas filhas prostitu\u00eddas. Agora \u00e9 av\u00f3 de dois netos e para eles ambiciona uma vida diferente e melhor que a das m\u00e3es mas a chegada de um antigo frequentador vai iniciar um novo ciclo para o Bei\u00e7o de Estrada. Com Darlene Gl\u00f3ria, Jackson Antunes, Mayana Neiva, Luana Valentim, Rique Messias. Multipremiado no Festival de Cinema de Aruanda-Jo\u00e3o Pessoa.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ admin_label=”Package” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/vagaluna.it\/wp-content\/uploads\/2023\/01\/Schermata-2019-09-18-alle-15.52.35-1024×656-1.png” title_text=”Schermata-2019-09-18-alle-15.52.35-1024×656″ align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” admin_label=”Package Image” _builder_version=”4.19.5″ animation_style=”fold” animation_direction=”right” animation_intensity_fold=”20%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Description” _builder_version=”4.19.5″ text_font=”Roboto||||” text_font_size=”16px” text_line_height=”1.8em” background_size=”initial” background_position=”top_left” background_repeat=”repeat” animation_style=”zoom” animation_direction=”left” animation_delay=”100ms” animation_intensity_zoom=”10%” global_colors_info=”{}”]<\/p>\n

h 20.30 <\/strong>Comboio de sal e a\u00e7\u00facar<\/u> (Portugal\/Mo\u00e7ambique\/Brasil, 2016, 93′) realiza\u00e7\u00e3o de Lic\u00ednio Azevedo. Mo\u00e7ambique 1988, em plena guerra civil. Uma multid\u00e3o aguarda a partida do trem, protegida pelo ex\u00e9rcito. O filme do cineasta e escritor brasileiro, mo\u00e7ambicano por ado\u00e7\u00e3o, come\u00e7a como um faroeste de Sergio Leone para contar a jornada de esperan\u00e7a de civis rumo ao interior do pa\u00eds. Entre ataques inimigos, sabotagens e viol\u00eancias por parte dos pr\u00f3prios soldados da escolta, ser\u00e3o as mulheres a mostrar grande coragem. Com Matamba Joaquim, Melanie Rafael, Tiago Justino, Ant\u00f3nio Nipita. Premiado nos Festivais de Cinema de Locarno, Cairo e Joanesburgo.
Diretor est\u00e1 presente.<\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Package” _builder_version=”4.19.5″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Package Title” _builder_version=”4.19.5″ text_font=”Oswald||||” text_text_color=”#6b0008″ text_font_size=”24px” background_size=”initial” background_position=”top_left” background_repeat=”repeat” animation_style=”zoom” animation_direction=”left” animation_intensity_zoom=”10%” global_colors_info=”{}”]<\/p>\n

domingo, 6 de outubro<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ admin_label=”Package” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/vagaluna.it\/wp-content\/uploads\/2023\/01\/Schermata-2019-06-07-alle-17.05.18.png” title_text=”Schermata-2019-06-07-alle-17.05.18″ align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” admin_label=”Package Image” _builder_version=”4.19.5″ animation_style=”fold” animation_direction=”right” animation_intensity_fold=”20%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Description” _builder_version=”4.19.5″ text_font=”Roboto||||” text_font_size=”16px” text_line_height=”1.8em” background_size=”initial” background_position=”top_left” background_repeat=”repeat” animation_style=”zoom” animation_direction=”left” animation_delay=”100ms” animation_intensity_zoom=”10%” global_colors_info=”{}”]<\/p>\n

h 16.00 <\/strong>Ayahuasca, expans\u00e3o da consci\u00eancia<\/u> (Brasil, 2018, 73′), dire\u00e7\u00e3o de Fausto Noro. A pol\u00eamica bebida ‘Ayahuasca’, contada atrav\u00e9s da experi\u00eancia pessoal do diretor. O document\u00e1rio traz uma vis\u00e3o cient\u00edfica, espiritual e antropol\u00f3gica do uso da ayahuasca, desde sua origem na floresta amaz\u00f4nica at\u00e9 sua chegada aos grandes centros urbanos.
Andr\u00e9 Besen, diretor de fotografia, esteve presente.<\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ admin_label=”Package” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/vagaluna.it\/wp-content\/uploads\/2023\/01\/a-guerra-de-beatriz_2-1024×683-1.jpg” title_text=”a-guerra-de-beatriz_2-1024×683″ align_tablet=”center” align_phone=”center” align_last_edited=”on|desktop” admin_label=”Package Image” _builder_version=”4.19.5″ animation_style=”fold” animation_direction=”right” animation_intensity_fold=”20%” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text admin_label=”Description” _builder_version=”4.19.5″ text_font=”Roboto||||” text_font_size=”16px” text_line_height=”1.8em” background_size=”initial” background_position=”top_left” background_repeat=”repeat” animation_style=”zoom” animation_direction=”left” animation_delay=”100ms” animation_intensity_zoom=”10%” global_colors_info=”{}”]<\/p>\n

h 18.00 <\/strong>A Guerra da Beatriz<\/u> (Timor Leste \/ Austr\u00e1lia, 2013, 100\u2032) dire\u00e7\u00e3o de Luigi Acquisto e Bety Reis. Nella ex colonia portoghese di Timor, Beatriz e Tom\u00e1s crescono insieme e si sposano durante l\u2019invasione dell\u2019esercito indonesiano del 1975. O rapaz \u00e9 capturado durante a brutal repress\u00e3o da resist\u00eancia e Beatriz, apesar do ass\u00e9dio dos militares, n\u00e3o desiste nem do amor por Tom\u00e1s nem pelo seu pa\u00eds. Falado em t\u00e9tum, o primeiro filme timorense transporta o espectador para uma dimens\u00e3o hist\u00f3rica e c\u00e9nica sem precedentes. Com Irim Tolentino (tamb\u00e9m co-argumentista), Jos\u00e9 da Costa e Augusta Soares. Premiado no 44\u00ba Festival Internacional de Cinema da \u00cdndia em Goa e com o Australian Cinematography Award 2013.
Diretor Luigi Acquisto est\u00e1 presente.<\/strong><\/p>\n

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h 20.30 <\/strong>Nise, o cora\u00e7\u00e3o da loucura (Brasile, 2016, 108\u2019)<\/u> Dire\u00e7\u00e3o de Roberto Berliner, o.v. sub. isto. Int.: Gl\u00f3ria Pires, Simone Mazzer, Julio Adri\u00e3o, Flavio Bauraqui, Augusto Madeira. No Rio de Janeiro da d\u00e9cada de 1940, a Dra. Nise da Silveira, que trabalha em um hospital psiqui\u00e1trico, prop\u00f5e um novo tratamento para pacientes com esquizofrenia, abolindo o eletrochoque e a lobotomia. Seus colegas a atrapalham e a isolam na \u00e1rea de Terapia Ocupacional h\u00e1 muito abandonada. Aqui inicia uma nova abordagem terap\u00eautica ligada ao amor e \u00e0 arte.
Pr\u00eamio de Melhor Filme na s\u00e9tima edi\u00e7\u00e3o do Cine Fest Brasil; J\u00fari de Melhor Filme Popular do Festival do Rio, 2015; Melhor Filme e Melhor Atriz no Tokyo Film Festival, 2015.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Package” _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_divider color=”#6b0008″ divider_position=”center” divider_weight=”3px” disabled_on=”off|off|off” _builder_version=”4.19.4″ max_width=”300px” module_alignment=”left” height=”false” custom_margin=”30px|||” animation_style=”slide” animation_direction=”top” animation_delay=”100ms” animation_intensity_slide=”10%” locked=”off” global_colors_info=”{}”][\/et_pb_divider][et_pb_text admin_label=”Description” _builder_version=”4.19.5″ text_font=”Roboto||||” text_font_size=”16px” text_line_height=”1.8em” background_size=”initial” background_position=”top_left” background_repeat=”repeat” animation_style=”zoom” animation_direction=”left” animation_delay=”100ms” animation_intensity_zoom=”10%” global_colors_info=”{}”]<\/p>\n

Agenda Brasil<\/strong> \u00e9 um festival produzido pela Christoffel Promo\u00e7\u00f5es e Produ\u00e7\u00f5es e organizado pela Associa\u00e7\u00e3o Cultural Vagaluna em parceria com o Museu do Cinema, a Associa\u00e7\u00e3o Casa Brasil e a Associa\u00e7\u00e3o \u00cdtalo-Portuguesa Tuc\u00e1tul\u00e1. Com a contribui\u00e7\u00e3o do BRDE, FSA, ANCINE e do Consulado-Geral do Brasil em Mil\u00e3o e com o patroc\u00ednio da Embaixada do Brasil em Roma.<\/p>\n

Dire\u00e7\u00e3o: Regina Nadaes Marques
Brasil Staff: Vita Christoffel, Cristiana Giustino, Leandro Salom\u00e3o
Funcion\u00e1rios da It\u00e1lia: F. Ambrosini, M. Baraldi, P.H. Correia, T. De Campos, F. Delloro I. F. Mendes, M. Fonseca, D. Morelli, M. Palazzini, M. Weirick
Estagi\u00e1rios e volunt\u00e1rios: Gabriela Aquila, Beatriz Borges, Karla C. Giammarino, Giulia Calosso, Eugenia Greco, Vanda Francisco, Vera Francisco
Assessoria de Imprensa: Emiliano Fasano, Jazmin Kuan Veng
Escrit\u00f3rio T\u00e9cnico: Fabrizio Fini
Projeto gr\u00e1fico: Andrei Aguiar
Tradu\u00e7\u00f5es e legendas de filmes: Francesco Ambrosini, Gian Luigi De Rosa, Federica Dell’Oro, Forword, Unisalento-Summer school of audiovisual translation (Marzia Buttazzo, Alessia Fiorentino, Caterina Varasano, supervisionado por G. L. De Rosa)
Declamadora do filme ‘As aventuras do pequeno Colombo’: Cristina Palermo
Teaser: Edi\u00e7\u00e3o: Fabrizio Fini. M\u00fasica: Rinaldo Donati e Fernando Barreto
Fot\u00f3grafo: Enrico Carnuccio<\/p>\n

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Newsletter<\/p>\n

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Agenda Brasil Turim 2019Agenda Brasil \u2013 Turim retorna ao Cinema Massimo para sua segunda edi\u00e7\u00e3o, com os elementos que caracterizaram o evento desde o in\u00edcio.O n\u00facleo da programa\u00e7\u00e3o de 2019 ser\u00e1 constitu\u00eddo pelos filmes apresentados na edi\u00e7\u00e3o de julho do Festival de Mil\u00e3o. Em Turim, al\u00e9m da preciosa colabora\u00e7\u00e3o do Museu do Cinema, h\u00e1 a […]<\/p>\n","protected":false},"author":1,"featured_media":915,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[33],"tags":[37],"class_list":["post-613","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-agenda-brasil-turim","tag-ok-pt-br"],"yoast_head":"\nAgenda Brasil Turim 2019 - Vagaluna<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/vagaluna.it\/pt-br\/agenda-brasil-pt-br\/agenda-brasil-turim\/agenda-brasil-turim-2019\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Agenda Brasil Turim 2019 - Vagaluna\" \/>\n<meta property=\"og:description\" content=\"Agenda Brasil Turim 2019Agenda Brasil \u2013 Turim retorna ao Cinema Massimo para sua segunda edi\u00e7\u00e3o, com os elementos que caracterizaram o evento desde o in\u00edcio.O n\u00facleo da programa\u00e7\u00e3o de 2019 ser\u00e1 constitu\u00eddo pelos filmes apresentados na edi\u00e7\u00e3o de julho do Festival de Mil\u00e3o. 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